Sabbatical Journal 5

I am not much familiar with chanting, as in Gregorian Chant. I do recall when recordings of monks chanting became popular for a bit some years back, and so I have heard it, but it isn’t something I typically listen to. I’ve was immersed in it for nearly two days at the monastery, however, and I have a new appreciation for it.

That is not to say it is likely to replace the Indie music that populates my playlist. My appreciation is for its use as a foundation for worship and prayer. If you’re not familiar, this sort of music uses a somewhat different sort of musical notation and it utilizes no harmonies. Those of us who were guest at the monastery were invited to participate in the chanting, but were also reminded that the purpose was to sing in one voice. No voice should be heard over any other, and the monks had much training in this. (In other words, sing quietly so we didn’t mess it up.)

There were some hymns that were sung along with with a Kyrie, Sanctus, and so on. But by far most of the singing chanted psalms and a few other scripture passages. For the psalms, the singing went back and forth from side to side. The left side sang two lines then the right side until the piece was complete. It was in the moments when I was on the non-singing side that I got the fullest sense of the “one voice” concept. Listening and not singing myself, I could hear the absolutely beautiful, pure sound of a single voice made up of many monks and a few of the guests. It was stunning to behold.

I think it was Dietrich Bonhoeffer who once wrote that all congregational singing should be in unison. He was not speaking of the chanting but of good old hymns like “A Mighty Fortress Is Our God.” Still, my recollection is that he was arguing for something similar to what the monks were seeking, a single voice lifted in worship to God.

I don’t recall the nuances of his argument so I won’t guess at them here. And I don’t know that I would never want to hear harmonies when we sing at church. But I do think that the singing of harmonies easily moves from worship to performance, and performance tends to be more about us, which only reinforces backwards notions of worship already so prevalent. (Think of the popular notion that worship is supposed to “feed” the worshiper.)

I suspect that the monks have much to teach us about worship. But we live in such different worlds and cultures, I wonder if they can be translated to where we can understand.